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Garage Days Fuck Garage Days Inc.!  If you want to be a true fan of Metallica you need to have the original recording of Garage Days that was available in 9.98 CD format back in the early days of what can be considered the best metal band ever.  This album has my favorite Metallica song, "So What", that turned myself on to Metallica.  I wasn't able to get this album when is first came out so I had to get a pirated copy from a record store for a way too expensive price.  I think I paid $30 back in 94 to get a hold of this sweet album but the money was worth it.  If you don't own the original then you don't know what you are missing.
Occasionally one album can be pinpointed as the turning point in a musical genre. KILL 'EM ALL is one such album and, boy, did the heavy metal genre need a transfusion of new blood. Herein trad metal was stripped of its late-70s pomposity and reduced to its base element of brutal sonic force. The rhythm section of Burton and Ulrich do a masterful job, as does rhythm guitar ace and vocalist James Hetfield, on a set that owes a debt to punk as much as to Iron Maiden and Judas Priest. The phantasmagorical allusions are still there in the lyrics, as are some long-winded guitar solos, but otherwise KILL 'EM ALL promised a creative rebirth for hard rock.
Ride The Lightning Metallica turned the metal world on its ear with their debut album, KILL 'EM ALL and then blew its mind with the follow-up, RIDE THE LIGHTNING. The riffs and arrangements are more intricate, the lyrics are more intelligent and biting and James Hetfield's growl is meaner. The set starts out with two tunes that would have been right at home on KILL 'EM ALL, but the next two are slower and more involved. "Ride The Lightning" is a slow (by Metallica's standards) dirge about the futility of war. "Fade To Black" is a ballad (!) that builds to an instrumental coda featuring the guitar melodies that the band would later base their sound around. It's also Hetfield's first attempt at singing in tune. The most ambitious song is a dense instrumental, "The Call Of Ktulu," that starts with a single arpeggiated guitar and slowly adds layer upon layer, building in intensity until it all comes crashing down nine minutes later.
Master of Puppets      Metallica's irresistible rise to the top continued with this enigmatic 1986 album. A constant touring unit by this point, their combination of light and dark and their deft staccato delivery, especially on the title track, came brusquely through. Their ever-lengthening arrangements (three songs came in at over eight minutes), bolstered by the precise snap of Hetfield's vocals, testified to their undeniable power. The striding "Battery," the darkly lit "Welcome Home (Sanitarium)," as well as the complex instrumental, "Orion," all gave powerful testament to their ever-developing skill and vision.
Load      The kings of speed metal have never been keen on being labeled, and LOAD, which follows up the 1991 mega-hit METALLICA, is a surprising pastiche of sonic fury. Metallica still rocks hard. James Hetfield's lyrics are still full of venom and anger, and the music still could scare small children. But the band is ready to show off other sides of its craft. "Hero Of The Day" sounds like an R.E.M. song, albeit a heavy one, with its tender beginning and ending confluence of harmonized vocals and catchy guitar riffs. A dose of the blues can be heard in the slow-burning "Bleeding Me," and a downright country twang pervades "Mama Said."  Still, this is a metal album, and there are headbanging riffs o'plenty. LOAD may seem like a departure from the Metallica "norm," but it's actually what the band has been doing all along: writing well-crafted songs without a regard for what others think. The only difference is that the one-time denizens of the underground now have the world's rapt attention.
Re-Load      This album will forever reamain the last "new" Metallica album I will buy.  I thought after Load, Metallica would try to return to it's roots but after hearing this album, my ten twelve year loyalty to Metallica was severed permanantly.  This album just isn't Metallica.  I am sure that many of the newer fans like it and I don't have a problem that but in making this album, Metallica has forgotten where they cam from and betrayed thier true fans.  Well that just about end my comentary about Metallica.  E-Mail me if you have any comments on what I have to say or if you wanna recommend a site.  Thanks fans.  I wanna here what you have to say.



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This Page Was Last Updated
04/04/2000 06:23:50 PM -0400